Please use this identifier to cite or link to this item: http://hdl.handle.net/10316/91146
DC FieldValueLanguage
dc.contributor.authorBranco, Sérgio Dias-
dc.date.accessioned2020-10-06T14:19:27Z-
dc.date.available2020-10-06T14:19:27Z-
dc.date.issued2017-
dc.identifier.issn2469-4800pt
dc.identifier.urihttp://hdl.handle.net/10316/91146-
dc.description.abstractThe central topic of João Botelho’s “Um Adeus Português” (1986), is memory in 1980s Portuguese society. The film alternates scenes from 1973, during the colonial war in Africa, with scenes set in 1985, in rural and urban areas of Portugal. In the present essay, I argue that the film enacts the need for a conversation among the Portuguese by opting for a structure that puts its own elements in dialogue. I analyze the film’s stylistic features while also contextualizing it within 1980s Portugal. This study is anchored in five themes: war, race, class, labor, and religion.pt
dc.language.isoengpt
dc.publisherAmerican Portuguese Studies Associationpt
dc.rightsopenAccesspt
dc.subjectFilm Studiespt
dc.subjectPortuguese Cinemapt
dc.subjectJoão Botelhopt
dc.titleThe Past Tense of Our Selves: “Um Adeus Português” in 1980s Portugalpt
dc.typearticle-
degois.publication.firstPage41pt
degois.publication.lastPage58pt
degois.publication.issue1pt
degois.publication.locationDavis, CApt
degois.publication.titleJournal of Lusophone Studiespt
dc.relation.publisherversionhttps://jls.apsa.us/index.php/jls/article/view/154pt
dc.peerreviewedyespt
dc.identifier.doi10.21471/jls.v2i1.154pt
degois.publication.volume2pt
dc.date.embargo2017-01-01*
uc.date.periodoEmbargo0pt
item.fulltextCom Texto completo-
item.grantfulltextopen-
item.languageiso639-1en-
crisitem.author.deptFaculty of Arts and Humanities-
crisitem.author.researchunitCEIS20 - Centre of 20th Century Interdisciplinary Studies-
crisitem.author.orcid0000-0003-2444-9905-
Appears in Collections:FLUC Secção de Artes - Artigos em Revistas Internacionais
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