Please use this identifier to cite or link to this item: http://hdl.handle.net/10316/91140
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dc.contributor.authorBranco, Sérgio Dias-
dc.date.accessioned2020-10-06T12:36:32Z-
dc.date.available2020-10-06T12:36:32Z-
dc.date.issued2008-
dc.identifier.issn1447-4905pt
dc.identifier.urihttp://hdl.handle.net/10316/91140-
dc.description.abstractThe split-screen is a well-known multi-frame technique used in film, television, and video. This essay focuses on cases in which this denomination seems incorrect, but that are currently classified under the same heading. In these instances, images of usually distinct characteristics are arranged on screen. The aim is to explore and define this specific technique, here termed mosaic-screen.pt
dc.language.isoengpt
dc.publisherUniversity of Melbournept
dc.rightsopenAccesspt
dc.subjectFilm Studiespt
dc.subjectFilm Theorypt
dc.titleThe Mosaic-Screen: Exploration and Definitionpt
dc.typearticle-
degois.publication.locationMelbournept
degois.publication.titleRefractory: A Journal of Entertainment Mediapt
dc.relation.publisherversionhttp://refractory.unimelb.edu.au/2008/12/27/the-mosaic-screen-exploration-and-definition-–-sergio-dias-brancopt
dc.peerreviewedyespt
degois.publication.volume14pt
dc.date.embargo2008-01-01*
uc.date.periodoEmbargo0pt
item.fulltextCom Texto completo-
item.grantfulltextopen-
item.languageiso639-1en-
crisitem.author.deptFaculty of Arts and Humanities-
crisitem.author.researchunitCEIS20 - Centre of 20th Century Interdisciplinary Studies-
crisitem.author.orcid0000-0003-2444-9905-
Appears in Collections:FLUC Secção de Artes - Artigos em Revistas Internacionais
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