Please use this identifier to cite or link to this item: http://hdl.handle.net/10316/43761
Title: Leonardo’s Vitruvian Man Drawing: A New Interpretation Looking at Leonardo’s Geometric Constructions
Authors: Murtinho, Vitor 
Keywords: Leonardo da Vinci; Vitruvian man; Vesica piscis; Golden number; Proportion
Issue Date: 2015
Publisher: Springer Basel
Serial title, monograph or event: Nexus Network Journal
Volume: 17
Issue: 2
Place of publication or event: Basel
Abstract: Generally speaking, today’s scientific community considers that the famous figure drawn by Leonardo da Vinci at the end of the fifteenth century was made using the Golden ratio. More specifically, the relationship established between the circle’s diameter and the side of the square is a consequence of the geometric relationship probably discovered by Euclid, but made famous by Luca Pacioli in his De Divina proportione. Aware of the close working relationship between Leonardo and Pacioli, namely in the writing of this last book, the theory that establishes a close relationship between these two figures, making use of this remarkable mathematical relationship, has gained credibility. In fact, the use of the Divina proporzione, despite being a very stimulating construction on an intellectual level, presents too great a margin of error, especially for such a competent geometrician as Leonardo da Vinci was. For that reason, the relationship between these two figures (square and circle) is grounded on a much simpler geometric relationship than the one found at the base of the definition, for instance, of Le Corbusier’s Modulor.
URI: http://hdl.handle.net/10316/43761
ISSN: 1590-5896
1522-4600
Other Identifiers: 10.1007/s00004-015-0247-7
DOI: 10.1007/s00004-015-0247-7
Rights: embargoedAccess
Appears in Collections:I&D CES - Artigos em Revistas Internacionais

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