Please use this identifier to cite or link to this item: http://hdl.handle.net/10316/43127
DC FieldValueLanguage
dc.contributor.authorBranco, Patrícia-
dc.date.accessioned2017-08-31T13:48:08Z-
dc.date.available2017-08-31T13:48:08Z-
dc.date.issued2010-
dc.identifier.issn1322-9060por
dc.identifier.urihttp://hdl.handle.net/10316/43127-
dc.description.abstractThe interconnection between law and theatre can be seen as having both specular and spectacular functions, in which space acts as a manifestation of power to shape the place or stage where law and theatre come to life and perform their spectacle. To explore this link I will use the example of the eighteenth century prison at Santo Stefano Island in Italy. The curiosity regarding this building arises from the fact that its architectural plan may have been copied from that of the San Carlo Theatre in Naples. Bentham’s Panopticon was published between the date of construction of the theatre and that of the prison. While the two buildings span the publication of the Panopticon, they also mirror each other in the panoptical direction of their gaze. I will explore these mutual influences and inversions.por
dc.language.isoengpor
dc.publisherUniversity of Wollongongpor
dc.rightsopenAccesspor
dc.titleOn Prisons and Theatres: Santo Stefano and San Carlopor
dc.typearticle-
degois.publication.firstPage277por
degois.publication.lastPage285por
degois.publication.issue1por
degois.publication.locationWollongongpor
degois.publication.titleLaw Text Culturepor
dc.relation.publisherversionhttp://ro.uow.edu.au/ltc/vol14/iss1/15por
dc.peerreviewedyespor
degois.publication.volume14por
uc.controloAutoridadeSim-
item.fulltextCom Texto completo-
item.grantfulltextopen-
item.languageiso639-1en-
crisitem.author.researchunitCentre for Social Studies-
crisitem.author.parentresearchunitUniversidade de Coimbra-
crisitem.author.orcid0000-0002-5425-0887-
Appears in Collections:I&D CES - Artigos em Revistas Internacionais
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