Please use this identifier to cite or link to this item: http://hdl.handle.net/10316/18057
DC FieldValueLanguage
dc.contributor.authorPortela, Manuel-
dc.date.accessioned2011-12-30T13:00:49Z-
dc.date.available2011-12-30T13:00:49Z-
dc.date.issued2006-
dc.identifier.isbn972-669-757-3-
dc.identifier.urihttp://hdl.handle.net/10316/18057-
dc.description.abstractIn the following pages I look at literary representations of the literary market in the eighteenth century, focusing on conflicting ideas about writing for money. In many works relations between monetary interest, political dependence and artistic form enact the dilemmas of a commercialised society in the specific domain of literature. With the growth of the print market and the definition of literary property, the image of the professional author was opposed both to the commercial author and to the gentleman author. The economic independence that came with the privatisation of the imagination and with the commodification of writing was seen as an advantage of the new commercial society.por
dc.language.isoengpor
dc.publisherCentro de Estudos em Letras da Universidade de Trás-os-Montes e Alto Douro e Associação Portuguesa de Estudos Anglo-Americanospor
dc.rightsopenAccesspor
dc.subjecthistória da autoriapor
dc.subjectmercado literáriopor
dc.subjectInglaterrapor
dc.subjectséculo XVIIIpor
dc.titleWriting for Money, or The Distresses of a Hired Writerpor
dc.typeconferenceObjectpor
degois.publication.firstPage1por
degois.publication.lastPage25por
degois.publication.locationVila Realpor
degois.publication.titleWays of Reading, Forms of Representationpor
dc.peerreviewedYespor
uc.controloAutoridadeSim-
item.fulltextCom Texto completo-
item.languageiso639-1en-
item.grantfulltextopen-
crisitem.author.deptFaculdade de Letras, Universidade de Coimbra-
crisitem.author.researchunitCentre of Portuguese Literature-
crisitem.author.orcid0000-0002-6295-6732-
Appears in Collections:FLUC Secção de Estudos Anglo-Americanos - Vários
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